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Won Yoo-kyung stops by the live venue Slammer to tell her friends about her new job, before heading out to the police station to begin the first day of her satsumawari. On her first day, disaster strikes the Hongdae area and she uses her connection to the punk scene to uncover what happened and pursue those responsible. But as her answers lead to more questions she clashes with the various powers controlling society.

Fiction

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J.A. Dunbar is a writer living in Seoul, originally from Edmonton, Canada. He works as a copy editor for The Korea Times and is a council member of the Royal Asiatic Society Korea, where he is general editor of the Korean studies journal Transactions. He has been involved in the punk scenes since the 1990s in Edmonton and Seoul, helping promote and organise through photography, writing, and publishing. He founded the Korean punk zine Broke in Korea in 2005.

Another protester, a woman in her 30s or 40s, came up to In-cheol. “Excuse me,” she said sternly. “We’re trying to have a peaceful demonstration. Do you need to make such a racket?”“We’re a pungmul band,” In-cheol answered.“What style?” the woman asked.In-cheol was stumped. “There’s more than one kind?” he asked. “Uh, what are the options?”“Well, there are various different styles depending on the region, each with its own approach toward rhythms, costuming, instrumentation, and performance philosophy,” the woman said, now more intent on lecturing this junior rather than stopping him. “Jinju Samcheonpo has yeongnam style, while Pyeongtaek is known for Utdari, Gangneung Yeongdong, Iri Honam Udo, Imsil Pildong, Honam Jwado…”“We’re none of those,” 6kyung said, banging her kkwaenggwari in the woman’s face. “This is Hongdae Jwado!”